Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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COELLO, Claudio
La Sagrada Forma

ID: 32943

COELLO, Claudio La Sagrada Forma
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COELLO, Claudio La Sagrada Forma


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COELLO, Claudio

Spanish Baroque Era Painter, 1642-1693 Spanish painter and draughtsman. Together with the court painters Francisco Rizi, Juan Carre?o de Miranda and Francisco de Herrera, he was one of the foremost exponents of a style of Spanish painting that developed between c. 1660 and 1700 and was characterized by theatrical compositions and rich colours. The sources of this late Baroque style, which was distinct from that of the previous generation of Spanish Baroque artists, most of whom painted sober, realistic depictions of religious and secular life, lie in the influence exerted by Venetian Renaissance painting and by Italian and Flemish art of the period,   Related Paintings of COELLO, Claudio :. | St Dominic sdg | La Sagrada Forma | The Adoration of the Holy Family by St.Louis.King of France,and Othe Saints | Holy Family dfgd | Charles II Adoring the St Sacrament |
Related Artists:
Charles Rollo Peters
born in San Francisco in 1862 ,dead 1928
Vincenzo Giacomelli
Italian, 1841-1890
Kane Paul
Irish-born Canadian Painter b.1810 d.1871 was an Irish-Canadian painter, famous for his paintings of First Nations peoples in the Canadian West and other Native Americans in the Oregon Country. A largely self-educated artist, Kane grew up in Toronto (then known as York) and trained himself by copying European masters on a study trip through Europe. He undertook two voyages through the wild Canadian northwest in 1845 and from 1846 to 1848. The first trip took him from Toronto to Sault Ste. Marie and back. Having secured the support of the Hudson's Bay Company, he set out on a second, much longer voyage from Toronto across the Rocky Mountains to Fort Vancouver and Fort Victoria in the Columbia District, as the Canadians called the Oregon Country. On both trips Kane sketched and painted Aboriginal peoples and documented their lives. Upon his return to Toronto, he produced more than one hundred oil paintings from these sketches. Kane's work, particularly his field sketches, are still a valuable resource for ethnologists.






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